This is an intensive workshop dedicated to those who want a better understanding of how the cinematic image is constructed - from light and composition, to camera movement and communication with the director. Over the 3 days, participants move from theoretical principles to practical shooting exercises and visual analysis, using professional equipment for the film industry.<\/p>\n
DAY 1 - WHAT THE CINEMATIC IMAGE MEANS<\/p>\n
09:00 \u2013 10:30 Introduction: what film language is and the role of the director of photography
\n10:45 \u2013 12:30 The moving image vs. the still photograph, time, rhythm and visual continuity and other elements of language
\n12:30 \u2013 13:30 Lunch break
\n13:30 \u2013 15:30 The structure of a camera team: DoP, camera operator, gaffer, focus puller
\n15:45 \u2013 17:30 Types of cameras and sensors, how you choose the right camera for the project.
\n17:45 \u2013 19:00 Practical exercise: camera setup, exposure, white balance, ISO and dynamic range. Standards in film image.<\/p>\n
DAY 2 - LIGHT, COMPOSITION AND COLOR<\/p>\n
09:00 \u2013 10:30 Lighting principles, you will find out what the different lighting schemes mean and how they are used (key, fill, back, practice)
\n10:45 \u2013 12:30 The direction and the quality of light, natural vs. artificial
\n12:30 \u2013 13:30 Lunch break
\n13:30 \u2013 15:30 Color in film: temperature, balance, contrast, visual intention
\n15:45 \u2013 17:30 Composition and framing, the rules and how you can break them for visual impact
\n17:45 \u2013 19:00 Practical exercise: shooting a static shot and analyzing the frames<\/p>\n
DAY 3 - CAMERA MOVEMENT AND BUILDING THE SCENE (mise en sc\u00e8ne)
\n09:00 \u2013 10:30 Types of camera movement: handheld, slider, gimbal, dolly, steadicam, etc
\n10:45 \u2013 12:30 The DoP\u2013Director relationship, interpreting the visual intention from the screenplay
\n12:30 \u2013 13:30 Lunch break
\n13:30 \u2013 16:00 Complex exercise: shooting a scene with a full crew (2\u20133 shots)
\n16:15 \u2013 18:00 Introduction to the post-production workflow, log vs. rec709, color grading, LUTs
\n18:00 \u2013 19:00 Screening of the filmed exercises + individual feedback<\/p>\n
Equipment recommended for participants<\/p>\n
Laptop for viewing and analyzing the filmed material
\n\u2022 Card reader or external hard drive
\n\u2022 (Optional) Your own photo\/video camera, to get familiar with the settings<\/p>\n
All the practical exercises take place with professional equipment provided by Numa Film (ARRI camera, Blackmagic, lenses, light sources, grip accessories, etc).<\/p>\n
Throughout the workshop, participants are provided with drinks (water, coffee, tea, soft drinks), as well as lunch and snacks offered by Numa Film. We want every participant to be able to focus on the creative process and on the hands-on experience, in a relaxed and friendly setting.<\/p>","protected":false},"excerpt":{"rendered":"
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